Prikupljanje sredstava 15. septembra 2024 – 1. oktobra 2024 O prikupljanju novca

Japanese Horror Cinema and Deleuze: Interrogating and...

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Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

Rachel Elizabeth Barraclough
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Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
Godina:
2022
Izdavač:
Bloomsbury Academic
Jezik:
english
ISBN 10:
150136832X
ISBN 13:
9781501368325
Fajl:
PDF, 2.93 MB
IPFS:
CID , CID Blake2b
english, 2022
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